ࡱ> nl7n% п\H9PNG  IHDRCjw]gIFxNETSCAPE2.0'ˆ?jsBIT|.wPLTE))s11s11{99BBJJRRRRZZZZcccckkkkssss{{{{:^tRNS+}bKGDH cmPPJCmp0712HsIDAThCXn0 m#p( \.q<Ӓހ>U$$''Oӿ']+ v1~Eͭ9b7D.^xF*yvسGM۴BQ8H!9 Ip Dr{.ӶQN1R,MO" 4ĹQ-BdS谴`g^p:'%§F )IѵSɎAfSA$ `ri;,\1'$kY]֑$ rQ6Ѳ0cHW-j^H<:[싷1 pu7:k@mz1dA#)j$8|䝉B.M4eF#/SW@{[@}㓾;lqE#Xd\q[h[):Ip& _րk +0YHH*@h˴ʚ'st^(ѝA(_ymO͑j8bR<0b#P]MN[11N@h4$L›,7iX{ u|9" hbė0"#ZFNɥ֊ e @ $% mM$\nº'Ꞩ{b\OG=t읎JURwtEXtCommentThis GIF file was assembled with GIF Construction Set from: Alchemy Mindworks Inc. P.O. Box 500 Beeton, Ontario L0G 1A0 CANADA. This comment block will not appear in files created with a registered version of GIF Construction Set/msOGMSOFFICE9.0GIF89aC! NETSCAPE2.0'!,C))s11s11{99BBJJRRRRZZZZcccckkkkssss{{{{)H*\ȰÇ#JHŋ3jȱǏ CIɓ(S\ɲ˗0cʜI͛8sɳϟ@ :11"%j0I.eJPU1bZuYJဳhӪ]˶[JAo.w/È+>o\!6\2'?̙B K Z4ŨS Mrh -k ];! >q'|vs۬@Ygw(C"i@ɐdE$%KRD\)_XQHiD])&[i@o"j@l @hJ.hnz騟zꬓN:d:tz @^:S${bʷNA%|W쀁?~裟X³/<A4?_0P@@:p L Hd  >(L W 'a W4Ѕ,,@Yv@ H"HL&:PH*>1 !d!,C))s11s11{99BBJJRRRRZZZZcccckkkkssss{{{{)H*\ȰÇ#JHŋ3jȱǏ CIɓ(S\ɲ˗0cʜI͛8sɳϟ@ :11"%j0I.eJPU1bZuYJဳhӪ]˶[JAo.w/È+>o\!6\2'?̙B K Z4ŨS Mrh -k ];! >q'|vs۬@Ygw(C"i@ɐdE$%KRD\)_XQHiD])&[i@o"j@l @hJ.h̠1H 24 r T .0 gH< eCPj=aoHL&:PH*ZX̢.z`b@!d!,C))s11s11{99BBJJRRRRZZZZcccckkkkssss{{{{)H*\ȰÇ#JHŋ3jȱǏ CIɓ(S\ɲ˗0cʜI͛8sɳϟ@ :11"%j0I.eJPU1bZuYJဳhӪ]˶[JAo.w/È+>o\!6\2'?̙B K Z4ŨS Mrh -k ];! >q'|vs۬@Ygw(C"i@ɐdE$%KRD\)_XQHiD])&[i@o"j@l @hJ.hnz騟zꬓN:d:tz @^:S${bʷNA%|W쀁?~裟X³/<A4?_0P@@:p L Hd  >(L W 'a W4Ѕ,,@Yv@ H"HL&:PH*>1 !(!,C))s11s11{99BBJJRRRRZZZZcccckkkkssss{{{{)H*\ȰÇ#JHŋ3jȱǏ CIɓ(S\ɲ˗0cʜI͛8sɳϟ@ :11"%j0I.eJPU1bZuYJဳhӪ]˶[JAo.w/È+>o\!6\2'?̙B K Z4ŨS Mrh -k ];! >q'|vs۬@Ygw(C"i@ɐdE$%KRD\)_XQHiD])&[i@o"j@l @hJ.h8̡eHBЇ,gB,HL&:PH*ZX̢.z` !d!,C))s11s11{99BBJJRRRRZZZZcccckkkkssss{{{{)H*\ȰÇ#JHŋ3jȱǏ CIɓ(S\ɲ˗0cʜI͛8sɳϟ@ :11"%j0I.eJPU1bZuYJဳhӪ]˶[JAo.w/È+>o\!6\2'?̙B K Z4ŨS Mrh -k ];! >q'|vs۬@Ygw(C"i@ɐdE$%KRD\)_XQHiD])&[i@o"j@l @hJ.hnz騟zꬓN:d:tz @^:S${bʷNA%|W쀁?~裟X³/<A4?_0P@@:p L Hd  >(L W 'a W4Ѕ,,@Yv@ H"HL&:PH*>1 !(!,C))s11s11{99BBJJRRRRZZZZcccckkkkssss{{{{)H*\ȰÇ#JHŋ3jȱǏ CIɓ(S\ɲ˗0cʜI͛8sɳϟ@ :11"%j0I.eJPU1bZuYJဳhӪ]˶[JAo.w/È+>o\!6\2'?̙B K Z4ŨS Mrh -k ];! >q'|vs۬@Ygw(C"i@ɐdE$%KRD\)_XQHiD])&[i@o"j@l @hJ.h3ڧ=n{߮@SP{A30|5 n| 2h"<KA)TgH@8̡G8Ї?4ԀHCeI&:PH*ZX̢.z` ŀ!d!This GIF file was assembled with GIF Construction Set from: Alchemy Mindworks Inc. P.O. Box 500 Beeton, Ontario L0G 1A0 CANADA. This comment block will not appear in files created with a registered version of GIF Construction Set;?OIENDB``! jag!!{jRǮ4;Zr xl~;wC .4I3+6**1n:qf骴h@7T""BvuBTRKK)w\lǎ} l}~{~wSGQ"I`ir@b17,v5%dϞ=qP4E񹞦)Xdvt; azeZط^eZg 6~DPԂHdd)G y̦t\:l>Ht295ӵ[9{@,ު*ԅ#  |:!ٵPV=I=('Hw*ַ9>:7DB_Xl'FpC葢DBa]?LEz)ꟾ 4AOKiv]ƅ<僴H1TTNQy6h)DYhvNk^"܃ ю/ m Y3:%Sɵx o v ARb7^+bKBӣt~G@|Բs mh<ΠwChW~َjiD©z4xny6[ņm!۠GHkרjaA!ĭC҆rUejMKr3ޅ44vL,67j^fvB.y7G>!Z/M{$=,|rۧu-w@T~;UpG< Y>cD>Y9xYtPg܌6wE:MK'^8axyr(u>MWrdˉl^ rA^k+ȵ䊂\Q+ rm\ W?ȵڕX%5 yQHdΖiikz惴-׸̖k\ߗ9lɛ]#.]@t\G&'dTK3(?gW[M3\ZYJ+^&Y_ʃw[r}rJbH>Q~X(3fUO*~=G .2Y*ļUdϑ>Xlԩ$UֵiSFyljSa7,Kh1zd88`;&4B3a;qIc %fZ:?V?mZfcS|#ܕOH+I> ;Ac/0FTAy[5 <vz#33.kr\[A W䊂\Qk3ȵA ׮\Š.xT,J_/BZ9)/3!(#'o;+δ2<%Ű VJ/Ϫ/o&\ǥ ҕj}B>rʏ]t<qj~僴*t%~=6tT.͗ϰVfIۄQgF0 ~) nt~@Yf:}OHWŸZksyb=b)EsMwZl>Hy*ԙy̕rV4Tu'9߿波c ΩwT+N1[ puN++m= ⎺Q7~H:.Ӄ)uϐeSƔ5uPnǔx.盒*P6͓s23OY5/+eo2?NF8͝ B3 8S:1u8}CI_7%羏^W]V*ҕb\+ysh\j3.|L9So v[rS(+J諤.zwG@*z惴ѧ? uf^M}Y_? ܖy~VEh<?ra<7w eȤ+n[I&}8\^f"^e={`}p|ϼ{|.6#|#>GV"Di;zec˺Ye·zt\-:LZl,yT[4g xLX~Yܻ˹_2ǎK4F=X*M "퉾d$ mjrk&(f5]M <&oykճ̗3=Z4ڤ}ڎQ1ըEƤ;FuGU8k_vW|<ֳv6ͬ}w̬}ŗ/zYfOax"hiiv$#ɤ}=Fo'Vy 2Z6Ƈ;X7w'/o#soeB?;c-k-S$~6惴iSi3m|JK}Y?Tsֹ FRI*=Sgn <7[joE}L1* 0SŴX/lq;ָGV&R{qNA6NIuIMOA m4m7՚ u֎1t{|+Nѥ)YTTg]g|6u,(_3u,aIW C-D'24sSh^N2i[=$ڟK7=R 0%toq;N-ƔJN-Ku#P"^<^WгU.p`! iH|2'H:#v/9Gl x}LTW߻o{{g:+EDCq ؎0Z6lRc&jl֘(jTWָD]?hVtMє= 0| %p?}s=BE(D٬ Ci #j&9UA-Inݺ_Q:VTE3UUx +h HZhF(?{P^{FnjSvEyzPBWs92KP=,?m /%6 Eɜ%#͙qU<$c zp4y:<[fd6~ZOF;XBfrYE}yD nNZUP*é]<myh'.E`7j5~ [}1|{t?@miI 9Z.NrkN 1Uk_&>F|Kwj;aَXp e[ -kb-値$AAGcEN"'jBQ=-4ՠFhChD~m0^D'&X X<c!Xq>d|K(0ѶƆTI'{k۟]"wUW+|?F{{kI5^G̴ ~CS#hEPzs #4@W9#1&-柡3u0JQ4 f,.DhzDgGH=;ͨS,vT^v|L;ZfYUBvk;+do|8 wbu<t+:NI##}pmGKEQڄ׀7~[ݼ+>;s^VRu BD}4z` ' p[Ë^jiU8)\~?g8QG>I{";f~!V咱zɘhUu$|F1K dI8 1ګ_SCG~.-)E~[{=PF|PkߪZskS|Ԧk>6Q z(#w+`!T^&L'Jy; P:9p("xlg9s|&GdYn@a؊)DH.F#)TpHPAVJL E8 HQ *0vçw3oϛ9S6cv0!6ݳa/ Mb^/ٲeK\_@2X*N̥6_H/BVγ,m-Ə_Rk app0uT~GsǏ{N+MސɛS<ȺFG-cw*"$ehyFG#R8OTFjT'w.-`< /]p}m3god&9Ǩ{qS.ZT[66+eaOͤ\ S[l'ǐe82v̌<,]،<+#Jwe;>M i#V6~ЫFwX5 {T!IsX9+jjjэjbH ze>NE3$:3U 뫩bOi"dSpZ vX`UK7V8Gsl^ˤLVyFWCfL gG#M`ZL‰LNlsF[!~믠WJr>ޫcfZxXLTyc‘j2TUNk6sö VG^C3?I/qnsg;4ݟ.?lmYGc[AN)K,3kqCs~聕ch'"z*RϜϜcQ u#[3ʬ.jFoӌd6&Š֊:?v;߿Vv  TB ^ *%^;YAlͲ^ݰU^7MJ*dSoj#[):$5&6v";E/ˋ%yCD(T|O)P,@3[~Ck-xh|ǵ̇gRBp4$LLf$DL%&II&1 1EL$1ELML2Db(1 d1  &cSl*s,TP+MՎV1/F"#҄oس]ČZ62&צ 繋-Rw.umn V[qW0*Q\vZk/ֽBv6>QkܠU["B]V]TQ-u_W}[s{TNS|]} \>ժ+\>p:A.vx +؎_؍ ãx|{܉V<-16Xq`9jƮMSMjf&&O'4b81BL$L$&IlbMLOL$db &DbGLd 1yL#&OI8dlD}zdzau.ce)} ۷~Ӝ1ۜ 3rjuU%Gppt.Lg yNLqBSN t*ȩ9N vZa8a8Ȯb-;ig㔈"BtjDO8bK9D9*2 9W娫QNA<*n>`1q kWX!zD_ 3x`);9 z1_a \ % w(RQfmj:դh&7=m Cp.nN]]v >[ g:Sd}dqvȞ-]!N5ێsvw>og26U2*}VJUxk;lwf4Y~!}6sw*}z3{_G(nH.VﮣS`2S;;εN`!ei:ܗ+G(Zt|x\}tTյsg=ܙsd&_0Q,0BDTJÂSaYB2H Ʉ%H%FD>SEBR%~,VVP />wLf& ;9{߹w39G@~ (B@v"H:EKn,Y$z >/߈`A6A{]ѶH.3bµkbWh۸ޝhWvs6Q6혚 Щo4Sԁ~!#\Nܱ9ziJԃrW!l7Cch-]7_3pX<{{]uE էk? l$P eY̞}ڡjpRwG8 VFk LWV# ˄R %B!oKe?>96Q\A}ڿ>]"ޤ+b.:WĞ!NR"Y Lo/ՖFuވ ^ Q5UP*BLD54c0p_{؍o8< lCMդ`e ^taLJPm)a;]+n'p NTV ?(ߧ$IQV=b,7K/:^ҷ:P6RS=i{s::pI XJ?X41]b}=l\<xEGoTG#ypIK;j썺8Ilл1Z~֍1Q? cձ#YXq Sp͔r_?c>J;;z6jM^nw΃(WT'#P7q\HDn㡄O[km?Gm -FFi!QQF{{j'lGH*{LY"o}3[O׺i}qf\..[y<2yHMփ<5S>+y[ }_ =Rpԇx-F  90 -ي׍tnufHoeP=b=}Oc]tF G-PT2JX[%vw :C=E}#ՁV3$Vd=(gY4щWM>$yLIH{GX| 6N>ŦY'l|=*W/%|agReO.+6\dw}&cb{g1vaoW?vNzl$ѷz]d }d9]Nх״4C. ti@ ЯzH_п&V5}T^F,y%*V:\@yUeh=rw&z'ǥL&&uI ` ,LLL&&d`0Y4&%À#r0iLL&m(&Ŝ\9ePxfE؞mk|foHV&~NUrtup]k|~lEbfE}Îx3ApVRmYm&Y+wdҙ] f0L-j'cK}6Ò&rKl40<8`v-ܓޡabm[mf-lh;?]=m;gh/3U/Vbl~] mp^e.֮`.w+roal{8fszt; Kݻh{gi"=?GOt mӟuY. My<\ ~F{{ ߍm+twR;Fky1+e! f,\K-2p .3˽e22p)\&.. K92p L\\.3 2p\.M˲(.٘|ދeױN3_zZ\Z5Zu8 -dv2m3̓wVhs'뿗o|}ju^$Jzv;)J#g+(=et=V3d=(l~+\3྇Xըz A``,cRp^C>b%dŢ:tϿ !zIXrƬf5 yHA|ToO{f[U}u*z Μ_]9 g%ё6s{s'ۣޟ Nw!٥IH }О'A9^kt/=Wc-e S%^z17Oo^Cc;@EA<*qxg3H V.yf0WzRuٖr کD=(Zyp-^׺N٨6Ө6>̛uTvq ge>I x<`\Xk`@uMe;g-XcͺQvuW|@&8qYi[s5|ںpUC%Fn65 s}M?n3/3|[xH]W9}}nJ?vn[o/yCv`V]xna~nԪk=sn"0xcTAk/#o{)w'U0*Y#o}2sdC][ț1?J{gP;YԻ_>|Dw+Qʱ>:G}N3.Y-Sf2"$b׋bb󪎏݇I?s>3.Ya}ߡ紬a{s6\/0|t3^# *<zd1莜BedLe;)v:[d+ŴMj -/1kƉC$i(_THl闤F ,#M򈴏,dtISVK}~4FiʕU eT(˥i'I:,P"҇J2[TH_$s'ӟߣ#D*ʍJ_ H<R|&#(Dq*PX(YWK@4 EW|(.&b IFO by w&jm!&;0 0L$0&>$0Lr`L0LnL!p6d|l]_$6u7{^%6s ~2唘J~'ّ.>CI3g%O-O&-y 40JhlofU$5M ;"벩9G9gB@C&"u5{3(Cz( / 0DArialNew 4/(0(z[ 0 DTahomaew 4/(0(z[ 0 " DTimes New Roman(0(z[ 0  B . @n?" dd@  @@`` L06B     /_b$n% п\H9t72$jag!!{jR t72$iH|2'H: kC2$^&L'\N2$ei:ܗ+mV 0AA0 3@3ʚ;ʚ;g4KdKd@z[ 0ppp@ <4ddddl 0 / 80___PPT10 pp pArtists rights management: from SIREX project to DRM 99 H.Maila Sansaini General Manager IMAIE (Italy) ./ ,IMAIE s role $ APPLICATION OF EUROPEAN LAWS AND AGREEMENTS BETWEEN COLLECTING SOCIETIES OF PERFORMING ARTISTS RIGHTS &hff  MADRID GROUP and SIREX PROJECT    1SIREX (System for International Rights Exchange) 201     SIREX EVOLUTION    FROM SIREX TO GRIX               DRM (Digital Rights Management)    THE IMPORTANCE OF CONTENTS    TECHNOLOGY    TECHNOLOGICAL BUSINESS MODELS  DCONTENTS AND STORAGE MEDIA: MUSIC AND TELECOMMUNICATION TECHNOLOGY EED   ` 33` Sf3f` 33g` f` www3PP` ZXdbmo` \ғ3y`Ӣ` 3f3ff` 3f3FKf` hk]wwwfܹ` ff>>\`Y{ff` R>&- {p_/̴>?" dd@|?" dd@   " @ ` n?" dd@   @@``PP    @ ` ` p@ @     (    6 "T`"  `,Fare clic per modificare lo stile del titolo- -  0 "zT  , ^   C (Aanimato"'?J   <"wC$ xINSTITUTE FOR THE PROTECTION OF PERFORMING ARTISTS RIGHTS == + `B   s *D1"fB   0ZD1"wi`B   s *D1"MM  6 " T# G  n  6p",0 rArtists rights management: from SIREX project to the DRM::H  `B  s *D1"A  B0"  3The role of collecting societies in the digital era44 P    B"< -Maila Sansaini, General Manager IMAIE (Italy).. ,  B",= x AXMEDIS CONFERENCE 2005 Florence!! H  0޽h ? 3380___PPT10.U( *Struttura predefinitab yq0 (   r  S ^P   r  S e) U   8 [  [   6?C"?wf   C (Aanimato"[[sR   <g"w xINSTITUTE FOR THE PROTECTION OF PERFORMING ARTISTS RIGHTS == +   <k  dAXMEDIS CONFERENCE 30 Nov.  2 Dec. 2005, Florence33  TTo? ?"6?@`NNN?N 3The role of collecting societies in the digital era44P  dB  <Do?\  6޽h ?"` 33___PPT10i.4+D=' = @B +  /6(  r  S   R  0PT IMAIE is the Institute entrusted by the Italian law with the task to collect and distribute performing artists rights deriving from the exploitation or the secondary use of musical and audiovisual works.  * l ,@  / #"I@   <!?V ,@  +Video private copying collected since 2003.6,(+fF ,  @`  <? V @  *Audio private copying collected since 19926+(*fF +  @`6  <5?V  ,  FCommunication to the public of audiovisual works collected since 1998.6G(FfF G  @`#   <?? V  3Secondary use of phonograms, collected since 1975.64(3fF 4  @`   <I?V ,  AUDIOVISUAL RIGHTS6(fF   @`   <T?V    MUSIC RIGHTS6 ( fF   @`ZB   s *1 ?V ZB   s *1 ?@ V @ ZB  s *1 ? ZB  s *1 ?,, ZB  s *1 ?V ,ZB  s *1 ?  ZB  s *1 ?, , ZB ! s *1 ? @ ZB # s *1 ?, ,@ ZB % s *1 ?V @ ,@ ZB ' s *1 ?V V @ ZB ( s *1 ? , ZB + s *1 ? , H  0޽h ? 33___PPT10i.U(+D=' = @B +. P5(  x  c $     0hS vThe Rome Convention, signed in 1961, provides for the international protection of published or distributed repertoires in adhering countries. According to the above Convention two types of agreements (A and B) were defined between collecting societies of different State members. $ p T"n 4 #""KK"TnZ  <?s  n dThe two societies collect on each other s behalf the remuneration due to the performing artists of the two countries and distribute them to the rightholders of their own country." f&     @`  <?T s n DThe cooperation between the two collecting societies strengthens performers rights internationally. 4f efF f  @`  <(?s F   6The parties provide each other only with general information for the management of rights, the total number of members, protected phonograms, etc. \ ffXfF   @`  <$ ?TF s   !Through a highly updated technological information system, the Parties guarantee the maximum distribution of equitable remuneration possible to individual performers. 4 fF   @`q  <?s F  oThe parties do not transfer the remuneration to each other and release one another against individual claims. Hp nfFf p  @`X  <?Ts F  |The agreement provides for the exchange of data and remuneration due to Members of each society for the use of their works. "} }f }  @`  <?s " zB-TYPE AGREEMENT$(f   @`   <*?T"s  zA-TYPE AGREEMENT$(f   @`ZB ! s *1 ?T""ZB " s *1 ?TnnZB # s *1 ?T"TnZB $ s *1 ?"nZB % s *1 ?TZB & s *1 ?s "s nZB ' s *1 ?TF F ZB ( s *1 ?T  L 5 <,4?p * ,$D 0 @IMAIE SIGNS ONLY TYPE A AGREEMENTS AS PROVIDED BY EU DIRECTIVES<A; A H  0޽h ? 33___PPT10.U(+yLD2' = @B D' = @BA?%,( < +O%,( < +D$' =%(D' =%(Dt' =A@BB7BB0B%(D' =1:Bvisible*o3>+B#style.visibility<*5%(D' =+4 8?fCB#ppt_w*0.70BCB#ppt_wB*Y3>B ppt_w<*5D' =+4 8?\CB#ppt_hBCB#ppt_hB*Y3>B ppt_h<*5D' =-g6B fade*<3<*5+8+0+5 +G S K `(  x  c $ A  O  0X'" In order to promote Type A bilateral agreements, in 2001 some European collecting societies created a working group called the MADRID GROUP. 0     6O`'  The GROUP s goals were: provide standard and common elements for the exchange of information from each society; create a common platform so as to access to the local database relative to the distribution of rights for performing artists; allow each society to identify its own members and repertoires so as to make claims, collect and distribute the remuneration accrued in other countries. Frp.   !  <pZ? UMADRID GROUP ADAMI (France) AIE (Spain) IMAIE (Italy) PAMRA (U.K) SENA (Netherlands)(VHU   H_??"6?@`NNN?N T ,$D 0 Q SIREX (System for International Rights Exchange) ARISES FROM THESE OBJECTIVES RRQ H  0޽h ? 33___PPT10t.U(+/D' = @B D' = @BA?%,( < +O%,( < +D' =%(D' =%(DR' =A@BB BB0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B%slide(fromBottom)*<3<*+8+0+ +R iapA(  x  c $j    0٤' JSIREX is a platform and specific project for data processing which manages$KF K  l  A #"" ( <u?xp  FMarketed musical recordings featured, performed or directed by MembersG(G G nn` & <Hx?p x q REPERTOIRES (    @`   <?x p  GMembers of each Institute giving mandate for international collection.H(H H  @`   <? xp  p MEMBERSHIP (    @`y   <x?x  Analytical statements provided by users, relating to the broadcasting or transmission of repertoires (televisions, radios, public places). ( 9 T  @`  <t?x  p PLAYLISTS  (    @`ZB  s *1 ?xZB  s *1 ?xZB  s *1 ? ZB  s *1 ? ZB  s *1 ?xZB  s *1 ? p ZB  s *1 ? p ZB  s *1 ?p ZB  s *1 ?p ZB  s *1 ?xZB  s *1 ?xxZB  s *1 ?  ZB  s *1 ?p p  5 Bܩ? [ PLAYLISTS     6 BHH?j  \ MEMBERSHIP     7 B ?a ] REPERTOIRES    RB 8 s *DjRB 9 s *D SH  0޽h ? 33___PPT10i.U(+D=' = @B + $;(  $ $ 0z GSIREX FLOW CHART T $ # AC"wib $ <d޽h ?"` 33___PPT10i.4+D=' = @B +    (w (  (x ( c $о  S ( 0u Cooperation and testing brought the interested societies, with the addition of RAAP (Ireland) and GDA (Portugal), to make the following changes in the SIREX: d ( 0". 0System centralization: all societies can upload their data in the system hosted by one collecting society (i.e. AIE), facilitating the system s maintenance with less expenses. Lay out of the system activities: the uploading and processing of data take place in an asynchronous way, i.e., it is not required that the operator remains connected until the operations are completed; the operations result is communicated via e-mail. Management of the problems solving: an information system has been set up to trace malfunctionings and problems resolution (ISSUE TRACKER) and is accessible by all users. Management of the project documentation: a system has been set up for the on line management of the whole documentation on the SIREX project and the Madrid Group s activities (SHAREPOINT).#%*.   H ( 0޽h ? 33___PPT10i.U(+D=' = @B +V me,(  ,x , c $$   , 040  ^Some members societies of SIREX decided to integrate substantially the SIREX to evolve to GRIX (Global Recording Index). This proposal is extremely current and related to the issues discussed in this Conference. The GRIX system is intended to extend the operation field through the creation of two tools shared by a group of collecting societies: __ _  , <L? V Global Recordings Index a general index of the recordings, possibly based on the ISRC coding system, created through the matching of the societies playlists 0&     , <? ' V AGlobal Playlist System a system of unified playlists, thus making it possible for societies to make claims for the repertoire that they manage on a unique system. 0H     p H , 0޽h ? 33___PPT10i.U(+D=' = @B + 0L(  0 0 0hq  X"GRIX MATCHING SYSTEM FLOW CHART ##T 0 # AC"Ii\ 0 6޽h ?"` 33___PPT10i.4+D=' = @B + 4Q(  4 4 0<q ^ ]'GRIX GLOBAL PLAYLIST SYSTEM FLOW CHART((T 4 # AC"( \ 4 6޽h ?"` 33___PPT10i.4+D=' = @B + 8K(  8 8 0Tq  W!GRIX COMPLETE SYSTEM FLOW CHART""T 8 # AC"wi\ 8 6޽h ?"` 33___PPT10i.4+D=' = @B +! 80.<(  <x < c $0  x ']  .< #"*]' U $< < ?"`  V  ODoes not guarantee the equal distribution of remuneration to all rightholders. $P(Pf&A     @`E "< < ?"`' V  YAllows payment of any possible rights, or parts of them, relative to the use of contents.$Z(Zf Z  @`> < <l ?"` V   RThere isn t just one DRM standard model. $*(*f *  @` < <H ?"`'V  J f @`2 < <! ?"`   FDoes not guarantee equal remuneration of copyright and related rights.$G(Gf G  @`A < <2 ?"`'   UIdentification of the use of the specific contents, i.e. the specific protected work.$V(Vf V  @`  < << ?"`   !Can easily be cracked by pirates.$"("f "  @` < <E ?"`'  J f @`4 < <F ?"` C HDoes not allow interaction among the different systems and technologies.$I(If I  @` < <W?'C  &Protection of contents against piracy.$'('f '  @`  < <a? ]C CONS6(fF   @`  < <k?'] C PROS6(fF   @`ZB  < s *1 ?'] ]ZB  < s *1 ?' ZB  < s *1 ?']'CZB < s *1 ?]CZB < s *1 ? ]]ZB < s *1 ?'C'ZB < s *1 ?CZB < s *1 ?'' ZB < s *1 ? ZB < s *1 ?  ZB < s *1 ? ] ZB < s *1 ?'CCZB < s *1 ?'ZB < s *1 ?'  ZB < s *1 ?'  ZB #< s *1 ?'V V H < 0޽h ? 33___PPT10i.U(+D=' = @B + '@(  @x @ c $4'   @ 0h(>S Copyright and related rights confirm intellectual property rights in modern society. The rightholders of the above rights are: authors, publishers, producers and performing artists. &[   S T @ <\? T  WIPO (World Intellectual Property Organization) recognizes intellectual property as an economic, cultural and social heritage of mankind. ,2[   @ NL4??"6?@`NNN?N   `UNESCO recognizes man s creativity a universal wealth and as a heritage to promote through the protection of cultural diversity.$ z H @ 0޽h ? 33___PPT10i.U(+D=' = @B + -%D(  Dx D c $=   D 0$?>St  Q Science has produced an evolution and an important technological development in the information society. Technology allowed important changes in the life of individuals, guaranteeing more efficient services, greater comfort and ever increasing opportunities for entertainment and leisure time, thus making life simpler and happier. RRQ H D 0޽h ? 33___PPT10i.U(+D=' = @B +4 KC H(  Hx H c $xH  # H 0I,Sf  Anyone in the world can personally and at its own discretion: have access to all information he needs; listen to music; download and buy music; watch a film or an audiovisual work; download and buy a film or an audiovisual work; choose the time and place of watching any artistic work. The industry of technology and storing media can, thanks to this new opportunity of the market and new demand, sets specific supply through new business models to increase the right earnings of the sector. >>   H H 0޽h ? 33___PPT10i.U(+D=' = @B +R  <40L(  Lx L c $\   L 0],S  |Contents and storage media cannot be enemies. Together they can contribute to each other s development. The respect of economic industrial rights and that of economic moral rights of copyright and related rights represents a marriage commitment to guarantee both. (  0 L <f? e ,$D 0 D OUTSIDE OF THIS IT S JUST PIRACY ## # H L 0޽h ? 33___PPT10.U(+ksD2' = @B D' = @BA?%,( < +O%,( < +D$' =%(D' =%(Dt' =A@BB7BB0B%(D' =1:Bvisible*o3>+B#style.visibility<*L%(D' =+4 8?fCB#ppt_w*0.70BCB#ppt_wB*Y3>B ppt_w<*LD' =+4 8?\CB#ppt_hBCB#ppt_hB*Y3>B ppt_h<*LD' =-g6B fade*<3<*L+8+0+L +rL ( 9TchuxTۏĨܯ6? [Oh+'0T `h  Diapositiva 1oUsersitUtentet43nMicrosoft PowerPointP@0*@)U@pY3GSg  )'    """)))UUUMMMBBB999|PP3f333f3333f3ffffff3f̙3ff333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffff3ffff̙fff3fffff3fff333f3f3ff3ff33f̙̙3̙ff̙̙̙3f̙3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3ffffffffff!___www4'A x(xKʦ """)))UUUMMMBBB999|PP3f3333f333ff3fffff3f3f̙f3333f3333333333f3333333f3f33ff3f3f3f3333f3333333f3̙33333f333ff3ffffff3f33f3ff3f3f3ffff3fffffffff3fffffff3f̙ffff3ff333f3ff33fff33f3ff̙3f3f3333f333ff3fffff̙̙3̙f̙̙̙3f̙3f3f3333f333ff3fffff3f3f̙3ffffffffff!___www¼ݼܻܼܼ¼¼ݻݻ¼Ἴܻ¼¼Ἴܼݼܼ¼¼ݼܻܼܼ¼¼ݻݻ¼Ἴܻ¼¼Ἴ¼¼ܼݼ¼ݼݼܼݼݼݼܻ¼ݼݻ¼¼ܼݼ¼ݼݼܼݼݼݼ»ݼݼݼܼ¼ݻ¼¼ݼݼἼݼݼݼ»ݼݼݼܼ¼ݻ¼¼ݼݼἼݼ¼ݼܼ¼ܼ¼ݻݼܻݼ»ܼݼ¼ݼܼ¼ܼ¼ݻݼݼܼܼݼݼݼἼἼ¼ݻݼܼ¼ݼܼܼݼݼݼἼἼ¼ݻݼ¼ܼܼ¼»¼ܼݼ»¼¼»ݻݼݼ¼ݼ¼ݻἼݼ¼ܼܼ¼»¼ܼݼ»¼¼»ݻݼ»Ἴܼܼݼ¼ܼ¼¼»ݼܼݻݻݻݼݼ»Ἴܼܼݼ¼ܼ¼¼»ݼܼݼݻݼݻܼܼ»ݼܼ¼¼ݻݻݼݼἼݼݻݼݻܼܼ»ݼܼ¼¼ݻ¼ݼ¼¼¼ܼݼݼݼܼܼݼܼݼݼܼܼ¼ݼ¼¼¼ܼݼݼݼܼܼܼܼݼ»¼Ἴ»ݼݻ»ܼݼݻݼ»ܼܼݼ»¼Ἴ»ݼݻ»ݼ¼ݼݼ¼ܼἼݼݼܼ¼Ἴܼ¼ܼݻ¼¼ݼݼ¼ܼἼݼݼܼ¼ἼܼݼݼܼݼܼἼݻݻ¼ݻݼ¼ݼݼ¼ܼ¼ݼݼݼܼݼܼἼݻݻ¼ݻݼ¼ݼݼ¼ݻܼݼݼܼܼݻݼܻݼἻܼݼἼܼݼܼ»ܼܼݼݼܼܼݻݼܻݼἻܼݼἼݼἼݻἼἼݻݻܼݼܼݼܼ¼»»ݼἻݼݼἼݻἼἼݻݻܼݼܼݼܼ¼»»ݼἼݼܻݻܼ»»ݼ¼»ܼݼݼܼܼܼݻἻݻܼݼܻݻܼ»»ݼ¼»ܼݼݼܼܼݼ»ݼܼݼܼݼ»ݻݼ¼»ݼܻܼݼݻܼݼ»ݼܼݼܼݼ»ݻݼ¼»ݼܻἻݻܼݻἼ»»ܼݻ»ݼݻἼܼܼܼݼݻݼݼܼݻ»ݼݻܼݻἼ»»ܼݻ»ݼݻἼܼܼܼݼݻݼݼ¼¼ݼݼܼܼݻܻ¼ݼܼἼ»ܼݼܻܼݼܻݼ¼¼ݼݼܼܼݻܻ¼ݼܼἼ»ܼݼܻܼܻܼݼݼ»ܼἼܼ»ܼݼݼܻݻݼ¼»ݻܼܻܼݼݼ»ܼἼܼ»ܼݼݼܻݻݼ»ܼݼ¼ܼἼݼἼܼݻݻݼܼܼܼܼܼݼܻܼݼ»ܼݼ¼ܼἼݼἼܼݻݻݼܼܼܼܼἻܼܼݻܼܻݻܼܻܼ¼ܼܼݻ»ܼݼܻ¼ܼݻܼܼἻܼܼݻܻݻܼܻܼ¼ܼܼݻ»ܼݼܼܻݻݻܻݼݼݼ¼¼ܼἻݼݼݼݼ¼¼ܼἻ»ݻܻܼݼ»¼¼ܼἼݼܻܼἻݼܻݼᅅ݅݅Ἳݼܻݼܼݼ»»¼ܼܻݼݻܻܼἻܼݼݻݼݼܻܻ݅ᅅ܅ܼ܅ݼݻݼݼܻܼܻݼݼܻܻ¼ݻ¼ݼݼܼܼܼ܅»ݻἅ݅ݼݼ»ܼܼ܅ܼ……¼ܼܼܼ݅»»ݻݼݼܼܼݻỼ»Ἳܼܼܼݼܼܻܻݻܼݼ¼ܼܼܼܼ»ݼܼݻݻܻܼܼݻỼ»Ἳܼܼܼݼܼܻܻݻܼݼ¼ܼܼܼܼ¼Ỽܼܼݼݻܼݼܼܼݻݻ»ܻܼܼܼݼݻܼݼܼܼݻݻ»ܻܼܼܻܻݻݻܼ»ܼݼܼݼ¼ܼݻ¼ܼܼ¼ܻ܅ݻܼ»ܼݼܼݼ¼ܼݻ¼ܼܼ¼ܻܼܼܼἻ¼ݻܼܼܻܻܼݻݼܻܼܼ¼ᅅݻܼܼܻܻܼݻݼܻܼܼ¼ݼܼܼܼܻܻܼܻݼἼݼܻݻݻ¼ܼܼܻễ܅ܻܻܼܻݼἼݼܻݻݻ¼ܼܼܻݻݻܻݼܻ»»ݻݼݻܼ»ݻܻܻἻݻ܅ܻܼݻݻܼܻ»»ݻݼݻܼ»ݻܻܻἻݻܼܻݼܼܼܼܻݻܻܼܻݻܼܼݻ»ݻἻ»ܼݼݼܼܻݼܼܼܼܻݻܻܼܻݻܼܼݻ»ݻἻ»ܼܻܼݻܼܼܼܼݻܻܻܻܻܼܻܼỻܼܻݼܻܼݻܼܼܼܼݻܻܻܻܻܼܻܼܻܻݻܻܼܼܼܼܻܼܻܻܻܼܻݼݻܼܼܼܻܻܻݻܻܼܼܼܼܻܼܻܻܻܼܻܼܼܼݻܻݻݻܼܼܼܻܻܻܼݻܼݼݻܻܼܼܼݻܻݻݻܼܼܼܻܻܻܼݻܻܻܼܼܼܼݻݻܼܼܻܼܻܻܻܻܼܻݻܼܻܻܼܼܼܼݻݻܼܼܻܼܻܻܻܻܻܼܼܻܻܼܼܻܼܼܼܻܻܼܶݻܻܻܻܻܼܼܻܻܼܼܻܼܼܼܻܼܶݻܻܻܻݻּܻݻֻܼܻܼܻܻܻܻܼܻܼݻܻܻܻݻּܻݻֻܼܻܼܻܻܼܻ׻ݻܻܻݻݻܻݻܻ׻ܻܻݻܼݻܻܼܻ׻ݻܻܻݻݻܻݻܻ׻ּּܻܻܻܻܻܻܻܼܻ׻ּּּܻܻܻܻܻܻܻܼܻܻݻܻܻܼܼܼܻ׻ֻּܻܼܵݻܻݻּܻݻܻܻܼܼܼܻ׻ּܻܼܻܻܻܻܼܻܵ׻ܻ׻ܼܻܻܻܻܼݻܻܼ׻ܻݻܻܼܻܻݻܻܼ׻ܻݻֻֻܻܼܻܻܼܻܻ׻ܻܵݻֻֻܻܼܻܻ׻ֻֻֻֻּּܼܻܻܼܻܻܻܻܻܻܻܼܶܵܵܵܵ׻ֻܼܵܵ׻ܻܻܵϒϴϒϴϒϴϴϑϴϴϑϑϴϒϒϑϴϴϑϒϑϯϒϴϑϵϑϒϴϑϒϑϑϑϑϑϑϒϴϒϴϒϒϑϑϑϑϑϑϒϒϑϴϒϑϑϴύϴϑϑϯϒϑϴϒϑϑϴύϴϑϑϑϴϑϒϑϒϑϴϑϑϑϴϑϒϑϒϑϮϮϑύϴϑϴϮϑϴϑϒύϒϴϒϮϑϮϮϑύϴϑϴϮϑϴϑϒϴϒϑύϑϑϮϑϑϮϑϮϑύϴϑϴϒϑύϑϑϮϑϑϮϑϮϮϑϑϮϯϑϑϑϮϴϴϑϴϒϑϮϮϮϑϮϮϑϑϮϯϑϑϑϮϴϴϑϴϒϴϑϑϒϑϮϑϑϮϑϮϮϮϑϮϑϮϑϑϮύύϮϴϑϑϒϑϮϑϑϮϑϮϮϮϑϮϑϮϑϑϑϑϑϑϑϑϑϑϮϮϑύϑϑϑϑϑϑϑϑϑϑϑϑϑϑϑϑϮϮϑύϑϮϮϑϮϑϑϑϑϮϴϮϮϮϑϑϮϮϮϮϴϮϑϑϮϮϮϑϮϑϑϑϑϮϴϮϮϮϑϑϮϴϑϑϑϑϑϮϑϑϑϮϮϑϮϑϑϮϑϴϮϑϑϴϑϑϑϑϑϑϑϑϮϑϑϑϮϮϑϮϑϑϮϑϴϮϮϐϑϴϮϮϮϑϮϳϮϮϑϮϴϐϮϮϮϐϑϴϮϮϮϑϮϳϮϮϑϮϴϮϮϑϮϮϮϮϮϮϮϮϑϑϮϮϮϳϴϮϴϮϮϑϮϮϮϮϮϮϮϮϑϑϮϮϮϮϋϮϑϮϮϑϮϑϮϮϐϑϭϑϮϮϋϮϑϮϮϑϮϑϮϮϮϑϋϮϑϋϮϮϮϮϋϋϮϋϮϮϮϮϮϮϮϑϋϮϮϮϋϋϮϮϋϮϮϋϋϮϮϮϮϋϮϮϮϋϋϭϮ⮋⋮ϭ⮮⮋⮮Ϯ⮮ϋ⮮ϋϭϋϋϮ⨮ϭϋϋϮϮ⮋⮮⮮Ϯ⮮⋮⮋⮮⮮⮮⮭ϭϋϋϮϮϋϮϮϋϮϮϮݼݼܼݼݼݼܻ¼ݼݻ¼¼ܼݼ¼ݼݼܼݼᮮϮϋϋϋϮϋ𮌋⮧⋌⌭⌋⮮⮭⨌⭋⋨⌋⌋⌋⋋⋨⭌¼ܼݽ⼽ܼϮϮݼݼݵ޼޼՜.+,0$     Presentazione su schermoAImaieta+.A ArialTahomaTimes New RomanStruttura predefinita9Artists rights management: from SIREX project to DRM IMAIEs rolehAPPLICATION OF EUROPEAN LAWS AND AGREEMENTS BETWEEN COLLECTING SOCIETIES OF PERFORMING ARTISTS RIGHTS MADRID GROUP and SIREX PROJECT 2SIREX (System for International Rights Exchange) Diapositiva 6SIREX EVOLUTION FROM SIREX TO GRIX Diapositiva 9Diapositiva 10Diapositiva 11 DRM (Digital Rights Management)THE IMPORTANCE OF CONTENTS TECHNOLOGYTECHNOLOGICAL BUSINESS MODELSECONTENTS AND STORAGE MEDIA: MUSIC AND TELECOMMUNICATION TECHNOLOGY Caratteri utilizzatiModello strutturaTitoli diapositive_QUtenteUtente  !"#$%&'()*+,-./012346789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~Root EntrydO)Pictures#hCurrent UserSummaryInformation(TPowerPoint Document(5DocumentSummaryInformation8